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dc.contributor.advisorAntonio Torralba.en_US
dc.contributor.authorZhao, Hang,Ph.D.Massachusetts Institute of Technology.en_US
dc.contributor.otherMassachusetts Institute of Technology. Department of Mechanical Engineering.en_US
dc.date.accessioned2019-09-16T18:37:48Z
dc.date.available2019-09-16T18:37:48Z
dc.date.copyright2019en_US
dc.date.issued2019en_US
dc.identifier.urihttps://hdl.handle.net/1721.1/122101
dc.descriptionThis electronic version was submitted by the student author. The certified thesis is available in the Institute Archives and Special Collections.en_US
dc.descriptionThesis: Ph. D. in Mechanical Engineering and Computation, Massachusetts Institute of Technology, Department of Mechanical Engineering, 2019en_US
dc.descriptionCataloged from student-submitted PDF version of thesis.en_US
dc.descriptionIncludes bibliographical references (pages 121-132).en_US
dc.description.abstractScene parsing is a fundamental topic in computer vision and computational audition, where people develop computational approaches to achieve human perceptual system's ability in understanding scenes, e.g. group visual regions of an image into objects and segregate sound components in a noisy environment. This thesis investigates fully-supervised and self-supervised machine learning approaches to parse visual and auditory signals, including images, videos, and audios. Visual scene parsing refers to densely grouping and labeling of image regions into object concepts. First I build the MIT scene parsing benchmark based on a large scale, densely annotated dataset ADE20K. This benchmark, together with the state-of-the-art models we open source, offers a powerful tool for the research community to solve semantic and instance segmentation tasks. Then I investigate the challenge of parsing a large number of object categories in the wild. An open vocabulary scene parsing model which combines a convolutional neural network with a structured knowledge graph is proposed to address the challenge. Auditory scene parsing refers to recognizing and decomposing sound components in complex auditory environments. I propose a general audio-visual self-supervised learning framework that learns from a large amount of unlabeled internet videos. The learning process discovers the natural synchronization of vision and sounds without human annotation. The learned model achieves the capability to localize sound sources in videos and separate them from mixture. Furthermore, I demonstrate that motion cues in videos are tightly associated with sounds, which help in solving sound localization and separation problems.en_US
dc.description.statementofresponsibilityby Hang Zhao.en_US
dc.format.extent132 pagesen_US
dc.language.isoengen_US
dc.publisherMassachusetts Institute of Technologyen_US
dc.rightsMIT theses are protected by copyright. They may be viewed, downloaded, or printed from this source but further reproduction or distribution in any format is prohibited without written permission.en_US
dc.rights.urihttp://dspace.mit.edu/handle/1721.1/7582en_US
dc.subjectMechanical Engineering.en_US
dc.titleVisual and auditory scene parsingen_US
dc.typeThesisen_US
dc.description.degreePh. D. in Mechanical Engineering and Computationen_US
dc.contributor.departmentMassachusetts Institute of Technology. Department of Mechanical Engineeringen_US
dc.identifier.oclc1117714214en_US
dc.description.collectionPh.D.inMechanicalEngineeringandComputation Massachusetts Institute of Technology, Department of Mechanical Engineeringen_US
dspace.imported2019-09-16T18:37:45Zen_US
mit.thesis.degreeDoctoralen_US
mit.thesis.departmentMechEen_US


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