Show simple item record

dc.contributor.authorColeman, Beth
dc.coverage.temporalSpring 2006
dc.date.accessioned2022-08-11T19:17:52Z
dc.date.available2022-08-11T19:17:52Z
dc.date.issued2006-06
dc.identifierCMS.876-Spring2006
dc.identifier.otherCMS.876
dc.identifier.otherIMSCP-MD5-e133751aa249554a2de8839be86b97a4
dc.identifier.urihttps://hdl.handle.net/1721.1/144323
dc.description.abstractThis course looks at the history of avant-garde and electronic music from the early twentieth century to the present. The class is organized as a theory and production seminar for which students may either produce audio/multimedia projects or a research paper. It engages music scholarship, cultural criticism, studio production, and multi-media development, such as recent software, sound design for film and games, and sound installation. Sound as a media tool for communication and sound as a form of artistic expression are subjects under discussion. The artists' work reviewed in the course includes selections from audio innovators such as the Italian Futurists, Edgard Varèse, John Cage, King Tubby, Brian Eno, Steve Reich, Afrika Bambaataa, Kraftwerk, Merzbow, Aphex Twin, Rza, Björk, and others.en
dc.language.isoen-US
dc.rightsThis site (c) Massachusetts Institute of Technology 2022. Content within individual courses is (c) by the individual authors unless otherwise noted. The Massachusetts Institute of Technology is providing this Work (as defined below) under the terms of this Creative Commons public license ("CCPL" or "license") unless otherwise noted. The Work is protected by copyright and/or other applicable law. Any use of the work other than as authorized under this license is prohibited. By exercising any of the rights to the Work provided here, You (as defined below) accept and agree to be bound by the terms of this license. The Licensor, the Massachusetts Institute of Technology, grants You the rights contained here in consideration of Your acceptance of such terms and conditions.en
dc.rightsAttribution-NonCommercial-ShareAlike 3.0 Unported*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-sa/3.0/*
dc.subjectpopular cultureen
dc.subjectcontemporary musicen
dc.subjectrocken
dc.subjectrapen
dc.subjectelectronic musicen
dc.subjectelectronicaen
dc.subjectsamplingen
dc.subjectnoiseen
dc.subjectaudioen
dc.subjectavant-gardeen
dc.subjectmusic criticismen
dc.subjectstudio productionen
dc.subjectsamplingen
dc.subjectpodcasten
dc.subjectmashupen
dc.subjectcollageen
dc.subjecttape loopen
dc.subjectDJen
dc.subjectsynthesizeren
dc.subjectmusic synthesisen
dc.subjectdrum machineen
dc.subjectmusic concreteen
dc.titleCMS.876 History of Media and Technology: Sound, the Minority Report -- Radical Music of the Past 100 Years, Spring 2006en
dc.title.alternativeHistory of Media and Technology: Sound, the Minority Report -- Radical Music of the Past 100 Yearsen
dc.audience.educationlevelGraduate
dc.subject.cip090102en
dc.subject.cipMass Communication/Media Studiesen
dc.date.updated2022-08-11T19:17:58Z


Files in this item

Thumbnail
Thumbnail

This item appears in the following Collection(s)

Show simple item record